I do not enjoy gratuitous sex scenes in novels. In fact, I see very little reason for there ever to be explicit descriptions of such activity. Nuance and innuendo works just fine for me as a reader. But, now that I have moved on to writing the second chapter of Stuck in the Mud, I find myself wondering how essential it is to make the protagonist - Aileen, in this case- the victim of some violent targeted effort to get her off the track of the killer or killers. Perhaps it is expected. But is it a must-have ingredient for a successful mystery novel?
I resist following patterns, recipes, or the usual procedures when there is obvious space for creativity.
People who have known me for a long time understand that they will never get exactly the same recipe twice when they eat at my house. I may knit dozens of Christmas stockings but I'll never use the same design twice. I love to read cookbooks but I don't make the meals described. I read them for the ideas - this spice goes with that set of ingredients, this technique makes that effect, this tool produces that result... If I eat something at a restaurant that I like I'll try to duplicate it at home and usually succeed on the first try.
The longest it ever took me to figure out a recipe was for the pasta con broccoli at the Rich & Charlie's restaurant in St. Louis. The ingredient that nearly stumped me was clam juice.
So writing this first mystery novel - hopefully this first of a series of mystery novels- feels a lot like recreating that pasta recipe. I'm trying to identify and properly incorporate the essential ingredients and I hope I'm not missing the clam juice.
Who in her right mind would take on the American clergy sexual abuse scandal from the Protestant side, make it the subject of a novel and then seriously try to get it published? Hence this blog chronicles the search for this self-published book's audience while exposing the heart and literary passion of author, Lesley Barker, whose fiction focuses on tensions created when someone with authentic faith is caught in an abusive marriage.
About Me

- Lesley
- I have discovered that walking a very narrow path leads to broad places of peace, contentment, and provision. I work as a freelance consultant in the areas of cultural heritage, public history and museums, From 2009-2016, I was the executive director of the Bolduc House Museum in Ste. Genevieve, Missouri, (now called New France - the OTHER Colonial America, an eighteenth century French colonial historic site and National Historic Landmark.) My PhD is from the University of Leicester's (United Kingdom) Department of Museum Studies. My research looked at the interpretation of diversity at the American Historic House Museum. I also developed and facilitate an inspirational program for Christian grandparents, Gathering Grandparents.
Great metaphor!
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